initially planned to be rouge de colere, finally issuing as a single project. originally issued in 1999, this bad taz ep brings 3 deadly hardcore tunes in the speedyqs vibe.this was recut in 2014 and repressed, 200 copies limited.

the last few years has seen a series of well received releases from rhythmic theory, the anonymous techno producer lurking in the shadows of the bristol music scene. *endless forms* is their second release for idle hands and follows on from where the previous ep *legacy of the lost* left off. the title track delves deeper into the sonic realms of classic jungle and comes up for air sounding like dub techno. a weighty bass line propels things along, whilst a sci-fi voice intones the title. this one is a sound system rocker. *tales of dystopia* brings to mind early nineties uk techno with its haunting synths, swung beats and deadly bass line. rhythmic theory is killing it at the moment, expect more to come.

simple, effective and downright deadly. mella dee serves up the perfect sountrack built for basements, dimmed lights and late nights. mella dees solo sound has evolved from a true passion for all things garage, a perpetual dedication to hip hop, combined with a love for house music which was heavily influenced by the darkness of uk funky and dubstep. together these influences have enabled mella dee to develop a unique approach to the fusion of these sounds, into one bumpy soundscape that is simultaneously house, garage and techno. omena omena is finnish for apple. its also a record label set up by tobias lidstrom aka tooli. dj & co-running local talk records & oneoffs.

chronicuality beats vol.1 brings the best of chrono s latest releases already played & supported by the following artist: miguel migs, mark farina, david duriez, brett johnson, luna city express, oxia, paco osuna, anthony pappa, him self her, inkfish, santos, wehbba, neverdogs, terry francis

rsvd kicks off with this blue knife ep by its main korova. blow out track reflects the full mentality of the label and comes with a thrilling tension stepping aside a bursting obscure dark progression and sinister heavy beats. alien blood is and ufo-like deadly bassline invasion drawing a dark strong hurting texture. deep waters original mix is a playful floor-killer techno jacking track. tsunami rocking upon and over the surface. its iys remix is fine rich and dry both mental dark stomping and odd hard hitting one: simple unique. a new excellent proof for the italian duo made by fusaroli and filardo.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

trackwork ep.no.2 is headed up by a super swingy acid tinged wigout multiculture - simple but deadly on the floor. next we have the stone-age-cave-rave of a billion years ago - a clash of de-tuned vox and live dub delay edits and to round side a off - feel it warps and mangles a classic paradise garage disco sample into some dark heads-down tracky gear.

join us for this aa sided single whereby last known trajectory welcomes the immensely talented visonia to its music roster and most proudly presents the first collaboration with the mighty dopplereffekt to deliver what is, >die reisen<, encapsulating what you will soon recognize to be the distinctly warm and engulfing sound that is visonia, here morphing with dopplereffekts unmistakable, deadly bass arpeggio and subterranean stratospheres – utterly amazing. flip over to the aa side and witness visonia with two markedly different styles, as >antarctic love< is just about the most emotive piece of electronic music you will hear this year. finally comes >impossible romance< – a fresh, new-wave inspired and dare i say it, spiritually uplifting piece of music that you will simply wish to repeat again-and-again-and-again. it truly doesnt come much better than this!

basement floor return with a deadly strike from the house/techno underground. kicking things off is tim schumachers soul phrase (echo mix) a jacking, raw dancefloor destroyer that knows no quarter. son of sound steps up to the plate to deliver a cosmic workout driven by a thunderous disco beat (check for his forthcoming 12inch on district 13!!).

earlier on this year andy stott found himself playing on the same bill as new york heavy metal hoarders batillus. despite operating in completely different spheres, batillus had been playing luxury problems, stotts most recent album, on their tourbus and suggested a remix. the result is pressed up on this one-sided 12inch, a deadly reduction that pitches the original down into the abyss. andy stott will be back in 2014 with new material.

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.

damballah 58 is the monstrous sequel to last years deadly *black mamba 12 inch (blackest010). the title tracks diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. the b-side features *mamba muntu* (sister track to the previous *river mumma* and *witness the spread of the dream*), the treacherously beautiful *belladonna theme*, and the marauding burning rush of *immersion*. written and produced by william bennett. original vévé artwork by mimsy deblois. cut by noel summerville at 3345 mastering, london. 12 inch vinyl housed in reverse board picture sleeve.

truckstop76th is an independent label born in the 2002 in rome, and more precisely in ostia, a neighbourhood of the suburbs that looks onto the sea. this label was born from the will of the duo seventysix (that is mr.3p e nrn) to create a platform to diffuse their own music and that of their crew. the roots of the label sink in the roman illegal rave scene. here they present two deadly acid/electro tracks from franz & shape and ice one. no messing around with this killer 12 inch

cheeky booty time! two of the uks original and premier house crews team up for this dope slice of heads down, deadly deep house action

morphine label boss, morphosis, presents the music of electronic composer, charles cohen, kicking things of with these two deadly interpretations of dance of the spirit catchers. masterful and essential! tip!

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

ltd 12 inch lp + cd in one package
rocketnumbernine are well known from text records releases

deadly, subtle, jacking dj tool killer techno

with past releases on renegade hardware/dsci4/dispatch/chronic/ and now 117, verb has been pushing his versatile sound for over 20 years and now his time is near ... with a expert knowledge in sound production his debut release on 117 is holding no bars. verb caters for the true rolling sound of dnb and demonstrates that with the dark and twisted sounds of bad boy sound then takes it up a notch with the fierce and deadly gully.
white vinyl 10 inch in clear plastic sleeve.

feelharmonic records proudly presents its first double-header, the depth & weight ep. kicking off proceedings is dublin-based duo jervis drive with their raw as title-track that finds its deadly groove immediately and stays there to great effect. italian maverick marcello napoletano provides a twisted, fuzzy and leftfield alternative of the same track. on the flipside comes manchester’s tomson aka tom lynch (development music/we_ctrl) with the tension-building and euphoric in a house on a street, while for something more heads down and deeper there is the dj aakmael mixx

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

following 12 inches on the trilogy tapes and kyle halls wild oats imprint, the original dark soldier mgun returns to dont be afraid for a second outing with this six tracker. from start to finish you get the now familiar trademark mgun sound all over this ep, from the spit and sawdust electro of funnel vision to the deadly 313 dystopia of bean chirp.

early support by chris liebing, dave clarke, sasha carassi, xpansul, gary beck, alex bau, terence fixmer and various others!!! thomas p. heckmann drops the bomb and delivers his brandnew full-length album *dark matters* on nachtstrom schallplatten. what a masterpiece and deadly alliance between one of the most influential techno artists since decades and the notorious german techno imprint. thomas outstanding production skills and the raw, dark energy of the tracks make this album a true weapon in any serious dj-set. as a keyfigure of early german techno, ebm-techno and acid, thomas p. heckmann has shaped the landscape of electronic music since his very beginning in 1990. his huge success as drax ltd. ii - amphetamine, knarz - tanzmaschine, silent breed – sync in, welt in scherben, exit 100 and countless others set standards and beyond in the under- and overground.

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

thomas p. heckmann drops the bomb and delivers his brandnew full-length album dark matters on nachtstrom schallplatten. what a masterpiece and deadly alliance between one of the most influential techno artists since decades and the notorious german techno imprint. thomas outstanding production skills and the raw, dark energy of the tracks make this album a true weapon in any serious dj-set. the album is backed up by a teaser 12inch coming on green & black marbled vinyl with remixes by the recent shooting-stars of the scene niereich & kraemer, techno heavy-weight alex bau and french talent drumloch prior to the release.
early support by chris liebing, dave clarke, sasha carassi, xpansul, gary beck, alex bau, terence fixmer and various others!

new release from the mysterious ex-pylon on studio barnhus. shakes is a twisted, noisy 12 minute techno epic with razor sharp drums, acidic basslines and a daredevil breakdown, while helmet comes correct with swirling pads from outer space and a deadly groove from deep within the core.

drmc gets his dirty mits on chaka khan and twists up 4 of her biggest tunes into some serious heads down dance floor action.
dj support: terry farley / jacques renault / mike w (kolour) / bonar bradberry / griffin james / guy monod de froideville / ali herron / deadly sins / yamwho? and more.

out of nowhere white label on skudge....

get down edits return with volume 4 in the series this time we have fingerman and deadly sins alongside label head honchos gde.

highly destructive four track ep from the irrepressible, container (spectrum spools), on morphine records. totally deadly, stripped back and direct. following 12inchs from shake shakir, hieroglyphic being, madteo & metasplice, this one is also going to blow up heads...very loud tip! artwork by maria kassab

scorcher! brilliant, brimful and prodigal twenty-minute ep from manuel gonzales in detroit (following up collaborations with kyle hall). deadly sick, ambient and stepping by turns. highly recommended.

we never forget our roots here at idle hands. for people of a certain age the wild experiments of jungle and dnb remain close to our hearts. whilst scenes, sounds and trends may wax and wane that visceral feeling of chest rattling bass is something we hold on to. rhythmic theory is one producer who like us, never forgot. here we present two tunes deeply indebted to those times. it must be stated though, you will not find any amen breaks or ragga samples here, instead, this up and coming bristol producer transposes the atmospheres and deadly subs to a techno template. *legacy of the lost* and *riveted* follow on from two well received vinyl only release on brstl and his own self titled label. both tracks are immaculately crafted hardware jams that are designed solely with sound system use in mind.

bosconi launches his new purist techno offshoot bosconi squirts and none else could have been to start the label it if not the mind behind this new project, the florentian techno don corcos. the vinyl contains 3 deadly club weapons: on a side youll find the main version of joujoube soup, a heart pumping and mind blowing side-chained techno dubby & proggy track with a minimalistic esthetic and some nuschool inspiration a la actress style, while on b side there are remixes by 2 masters of the genre, the almighty scott grooves as >panther< who gives to the original a more detroit touch with brasilian music influences and an organic

cynics felix dickinson resurrects his cult bastedos edits label for a serious double-header! it has been a seven year hiatus since the last release on the label, but felix has unearthed a duo of deadly dancefloor weapons for the sixth release. limited as ever - these wont be around for long!

2nd release , incl vid remix.... please preorder... deadly , ** vinyl only **

scorcher! brilliant, brimful and prodigal twenty-minute ep from manuel gonzales in detroit (following up collaborations with kyle hall). deadly sick, ambient and stepping by turns. highly recommended.

after their enormous release on bad taste recordings, new drums/double thinking, the teddy killerz return with nphonix for another dose of some of the hardest, underground drum and bass around. with releases on the likes of fokuz limited, icarus audio, citrus recordings, caliber music and bad taste recordings between them, the deadly pairing bring two tracks of cutting edge dnb for bt027.

john heckle (undisputed king of da real scouse house and fast becoming one of the most prolific young techno producers from the uk) deviates ever so slighty from his trademark sound to paddle his little raft down the mersey and run wild with the wolves. the result is epic and mystic (and 100% organic) and opens a doorway into a mythical world of wicker men, hill figures, druids, witch covens and early 90s sunrises off the m25, when ever-e-thing seemed possible. excellent new artwork as well by godspill, who is also into naked chicks that float and stuff. a deadly combination!

vinyl only... special request returns with the third vital 12 inch in this series based on capturing the spontaneous rugged energy of uk pirate radio and re-wiring this into chaotic dancefloor moments. maintaining all the illicit qualities of the best hardcore/jungle blueprints but reloading them with a contemporary approach, there is an attention to detail and touch here that makes these recordings far from revisionist. on the third stamped release, special request tackles the voice of one of this years most talked about artists, laying down a deadly amen break and killer hoover bassline for a sub 130 bpm dnb track that is simply explosive. on the flip is the even tougher vip mix that doubles up as a dub. limited hand-stamped, vinyl only release

amazing phunkin analog styled tracks, deadly, old skool flavoured... god made him funky. tipp

four deadly cuts of timeless, jackin house and deep techno professionalism. och returns to his autoreply home with a new series of split 12s inviting a diverse group of producers to share a slab of wax. for the a side he opens with >deltic< which sets the mood with tough yet soulful chicago vibes. ochs second contribution is >freeze-thaw< showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. on the flip side its romanian all-rounder, the model, who has previously graced premium labels such as traum schallplatten and international dj gigolo. here he delivers two ultra-phat workouts in the form of >dungeon man<, an infectious chord driven floor-burner and >stancuto< a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound with just the slightest salute to echocord or dehnert...

warehouse find - amazing new novel sound twelve inch from levon. spooky. deadly. great!

phreakin phunked up electro / experimental... deadly. blue vinyl !

deadly, powerful, sub heavy & classic detroit techno reminiscent techno bombs, 2022 repress

anonymous duo dense & pika remerge for their debut on scubas hotflush recordings. crispy duck, their 3rd track take on modern underground techno, kicks off with a chugging a side, giving serious nods to detroit and beyond with its deadly shuffle. on the flip, dense and pika claim the dancefloor with coil a tripped out uptempo techno track, abound with hihats and fist pumps, followed by 31 a rough and ready tune that melds 4/4 with acid and dub grooves. doing their best to remain incognito, the duo are on course to make 2013 their year. huge early support from dubfire, adam beyer, midland, will saul…

joker returns to form with this excellent 12 inch, presenting >old era< – a future proof dancefloor smasher backed by deadly re-mix from bristolian purple partner in grime, gemmy. very few producers can capture mainstream interest while focusing on an honest, underground vibe – joker is one of them and he has done it again! watch out too for the accompanying video of >old era<, which features a fully animated liam mclean, aka joker, riding his motorbike over barren land-scapes on an essential mission!
dj supports from benga, mistajam, n-type, mrk1, surgeon, bok bok, guido, gemmy, rsd, blackdown and many, many more!

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

the quintessential post acid house anthem blacker has been remade for 2012 by the dynamic duo yambee (ashley beedle & yam who?). a complete package of hot mixes will be forthcoming on londons midnight riot label. mixes are by joey negro, deadly sins and by yambee themselves. check the joey negro mix for a master class in modern day jazz funk!